LAURIE ANDERSON became a household name in 1981, when her 8-minute avant-garde monologue ‘O Superman’ became the world’s strangest-ever hit single. Anderson, now 71, is an artist whose work encompasses whatever she needs it to, from performance to music, from CD-ROM to virtual reality. Interviewed in Denmark, she discusses the dizzying breadth of her reading habits, which underpin everything she does, her useful belief in multiple realities, and the old Kindle she carries from her late husband, LOU REED.
FRANKENSTEIN by MARY SHELLEY was published exactly two hundred years ago. Two archetypes — the manmade monster and the mad scientist who created him — have been loping around in the collective unconscious ever since. To honour this incredible act of literary invention, part two of this issue presents a sequence of monsters, as fed through various prisms of association, and emerging as everything from chatbots to man bags. Contributors include GEOFF DYER, JEFFREY LEWIS, JEAN HANNAH EDELSTEIN and JUSTIN E. H. SMITH.Tell me more
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Read an article from issue 1 of THR, a rip-roaring expedition through the classic Victorian thriller THE WOMAN IN WHITE. Ah, the unflinching joy of monochrome dressing. But to what effect? Author EMILY KING looks into single-colour outfits in art and discovers women being pigeonholed and men revealing their identity.Read more
Read an article from issue 3, when we embarked on a sun-drenched odyssey through the pages of Corsican travel classic GRANITE ISLAND. Thank heavens for web research when planning a holiday, right? Not so fast. Many of Granite Island’s best bits would never have happened had our author just weighed up a bunch of user reviews.Read more